Read the full story at Mother Nature Network.
The last time environmental activist and underwater sculptor par excellence Jason deCaires Taylor worked in London, it was on “Rising Tides,” a hauntingly ephemeral installation positioned in the River Thames that served as commentary on rising sea levels and our unquenchable thirst for fossil fuels.
Taking the form of four prophetic horsemen — two children, two bureaucratic-looking gents in suits and ties — straddling oil pumpjack-headed equines, “Rising Tides” was as provocative as urban statuary gets. Centered around plastic-barfing seabirds, Taylor’s latest work — a somewhat rare terrestrial piece that’s not fully or partially submerged underwater — is no different, perhaps even a bit more startling than its predecessor. As it should be.