London sculpture spotlights the deadly relationship between seabirds and plastic

Read the full story at Mother Nature Network.

The last time environmental activist and underwater sculptor par excellence Jason deCaires Taylor worked in London, it was on “Rising Tides,” a hauntingly ephemeral installation positioned in the River Thames that served as commentary on rising sea levels and our unquenchable thirst for fossil fuels.

Taking the form of four prophetic horsemen — two children, two bureaucratic-looking gents in suits and ties — straddling oil pumpjack-headed equines, “Rising Tides” was as provocative as urban statuary gets. Centered around plastic-barfing seabirds, Taylor’s latest work — a somewhat rare terrestrial piece that’s not fully or partially submerged underwater — is no different, perhaps even a bit more startling than its predecessor. As it should be.

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